Backtracking slowly forward

From Trash to Treasure

Introducing ART FOR HOUSEWIVES - a recycling blog
This is a blog review. It also explains how I was drawn into blogs and blogging, and how I consequently got BAD. (According to Nick Smith I may suffer from "Blogging Addiction Disorder"?). Explaining is always a detour; but so what! I'm really good at making a short story long. Another disorder perhaps? So here it comes:

Because I needed to find better ways to transfer images onto..? anything, I went on a googling spree.
Through many tours and detours, I stumbled across Jen Worden's blog; I liked what I saw and read, then started checking out her links. One link was "Art for housewives". My bookmark reveals I've been reading it since January 2004.

Reading, is perhaps not the word; browsing. Browsing led to reading and more link-checking and subsequently more reading again. But it was a one-way experience and finally I couldn't stand my non-existence anymore, net-wise I mean. Alors, I started blogging and got really BAD.

I still vividly remember stumbling across "Art for housewives" thinking;  "HOUSEWIVES! - oh, come on, who's a housewife?....."  and then; "Yeah, well, I guess I'm one, so let me see..." And I'm so glad I did. But at first I had no idea what hit me.  - Because that's what it does; this HITS you:

A brick-pink page with blue, red and purple text opens. Then you realise there are also different fonts in different sizes, all peppered with links and photos.

Completely confusing but also utterly intriguing. All those links - what's behind them? I had to check, and then I was hooked. The links were like tempting wrapped sweets - i opened one after another - just one more, and one, and another and.... oops, I was late for picking up the kids.....

Your fault, Cynthia Korzekwa, but you're forgiven! 
She's the driving force behind all this. She says "Make art not trash!" - she herself does.  Above, an embroidered piece and detail by Cynthia: "She added to his collection"
But let me finish describing the blog. There's so much information; about artists, about crafters, about recycling, about ecological projects and much, much more. It seems endless. Of course all isn't art as such, but there are artful ideas and creative projects. A quite remarkable collection of information, comments and links. Below from Cynthia's photo portfolio. I just love this one.

I'll let Cynthia tell you how it started;
"You know I began ART FOR HOUSEWIVES because I am truly worried about the environmental situation.  And mainly because of my children and potential grandchildren.  I mean, I didn't raise my kids just to have them die of thirst because there's no water left because some slobs had to overdose on consuming this planet's natural resources. For two years I researched via internet and books anything related to making art using second hand materials (the best ideas come from third world countries).
The results are in a graphic book I wrote called Arte per Massaie (Italian for art for housewives)  that should be published at the end of March. 
What I really  wanted to do is to devise projects using household trash to make, you know, functional art.  Two times functional because you not only make something useful, you also help clean up the environment as well.  Having taught in highschools, I know that the mechanical aspect of creating, for some people, is easier than the conceptual aspect.  Handwork is, for often, easier than head work.  Like paint-by-numbers."

The more I see, the more I wonder how she handles all this? What kind of energy-phenomenon is this lady?
Cynthia herself, is an artist, that I know. And her web sites are as intense and rich as the housewifeart thingy. They're not just full of art, but of thoughts, reflections, words and definitions and quirky ways of putting things. Like these mad cartoon-like pictures that make complete sense when you read the text.

While I write this I'm just checking some of her work links, and I find other pages with Cynthia's art that I haven't found before - like the "Cardboard Retabolos". There's still a link to a page called "she just wanted to blend in", started in 2001 and ended in 2005. But the pages are there and the links work.

As does the whole concept - it really works. But you have to have some time on your hands, to sit down and really dig into it, or bookmark links to save for later. Bookmark straight away, is my advice. You may think you'll be able to come back and find something again, that may take more time than you expect; it's so vast!

I have noticed that I hardly buy glossy magazines any more. Now i bookmark blogs and web pages, saving them for a rainy day, for curling up with a warm cup and a good read!
Thanks to people like Cynthia Korzekwa and lots of others, that is possible, and it's more than just a good substitute.
Sorry, glossy publishers!  You sell, but Cynthia and her likes, they share.... Beat that!

All photos courtesy of Cynthia Korzekwa

 

Textile Tales Retold

Finally I'm ready to add some spice here, by introducing art and artists that I go completely double-wow! about.
I actually intended to - and looked forward to - pointing you to other artists!
- Great contemporary artists that you'd normally discover only by chance.

Even if I do keep in touch with artist friends in Norway, our conversations don't always cover every corner of the art scene. So, i must admit; I probably miss out on a lot of important exhibitions and news.
Like this extraordinary textile artist - Inger Johanne Rasmussen, from Norway - she nearly escaped my attention!

Fortunately I had to visit this winter-cold place recently and was meeting with long-missed friends from student days. We had three short hours to catch up and cover news and not-news from our respective fields of art.
The conversation raced and bounced like a chased rabbit.

It was great. Textile-art came up a lot and my friend Hege just happened to have the most beautiful art catalogue in her bag. No time for reading, but I had to have it!
Later, at home with time to read and absorb, I realised this was sharing-material.
I wanted everyone to see Inger Johanne's art!

Let me just say; to me, these images represent a synthesis of childhood memories, the comfort of wool, or protection by felt, women's amazing craftiness, large scale patterns dwarfing me, painterly colour-use, recycling of material and patterns - and still textile art at the very best.

Below, you can see Inger Johanne at work and read her own words (green text) about how the carpets evolve.Then, some of her thoughts on patterns. Further down in red; more from the exhibition catalogue "Retelling".

About making carpets
"All my carpets are made of felted wool; mostly military-issue foot cloth. The material is dyed and cut to size; The pieces are placed side-by-side and glued with the adhesive and stabilising interfacing Vliselin. Thereafter all the bits and pieces are sewn together by hand, as with appliqué: I like sewing most of all.

When I sew; I look forward to being finished so that I can start designing a new carpet. Therefore I sew very fast and take paraphernalia with me wherever I go. I'm an impatient draftsman because I can't wait to see the colours in
the material.

Often I start cutting into newly dyed, half-dry material because i just can't wait till it dries completely. Cutting the material is great fun but sort of daunting, because it's easy to ruin a lot of material in no time; and it always turns out slightly different than I anticipated. I cut quickly because I'm impatient to glue the pieces together and see how it looks. I can't get a proper impression of the whole thing before all pieces for the carpet are cut, so it's always a rush job. Sometimes I have to re-do this stage several times, and that's a pain because I'm always looking forward to sewing again. That's how it is."

 

About what one can read in a pattern
"Patters can be read in a number of ways - according to which culture it stems from; which era and which temperament. What do you meet in a pattern's colours and rhythms?
You can follow some patterns as though they were a supple movement. Some stiffen their necks, or stumble along. Some allow you to slumber in lightness and dreams. Some can be played with; others can be counted and ordered. You can dance with some patterns, or laugh. Some cause you to shrivel with bad memories. Others are so reliable and familiar that you think - here it is good to sit, as among friends."

Excerpts from the cataloue text; Else-Brit Kroneberg shows how IJR's work explores not just the familiarity of traditional patterns but also the connotations of familiar household objects and textiles. She ends the text with an analysis of the the carpet below:

BETWEEN THE ORDINARY AND THE ELEVATED
By Else-Brit Kroneberg, curator at Soerlandets Kunstmuseum, Kristiansand

"...'Magnetic Home' (2005) is another work thematizing domestic life. Here, Rasmussen makes a variation on the traditional red-and-white-checkered kitchen pattern. Along the textile's mid axis, the pattern disintegrates around seven "magnetic" points. Here the pattern is sucked into a vortex where various objects are portrayed - e.g., a house, a door, a chair and a bed. All the objects befit a home. The pattern seems to hold onto the objects, but also to disappear into them, as a reciprocal relation of belonging.

"Magnetic home" also creates a connection with the viewer. At the seventh station a mirror is represented. The mirror's ability to reflect its environment binds the one who looks in the mirror to a picture.
Here the viewer is bound, pictorially, also to the home and safety."

I'm still a little surprised at how strongly I reacted to these images. Mind you, I have not seen the carpets 'live', only in photos. Even that touched me deeply. In fact, the whole project fascinates me; the size of the carpets impress me, the magnitude of stitches. The thought of taking this on!
Then, I'm just thrilled by the story behind the foot rags - and that they turned up practically at her doorstep (at least at a friends doorstep). All the work behind the hand-dyed cloth is something I can appreciate too, having dabbled in the field. Enlarging familiar patterns could have been a no-brainer, but not with Inger Johann's ingenuity and feeling.

But the best part - she's mastering colour like a painter. Although restrained by the somewhat slow process of cutting, she's still making it work like generous, spontaneous splashes of colour - that's what really gets me! Chapeau!

Later, I learned that visitors to her exhibition at Soerlandets Kunstmuseum, had expressed similar reactions. - Feeling really moved, even to tears! Clearly I'm not the only one feeling the whole childhood and a little more, welling up.

For more pictures or further reading e-mail ingerjohanne@chello.no or tittin@rinde.com to get the catalogue as a pdf file. Price info carpets - Inger Johanne.
Inger Johanne's web site is not active at the moment. Link will come later.

IJR has more exhibitions coming up.
"Risoer Kunstforening" One man show February 2007,
"Radoy Kunstsenter" May 2007
"Kunstnerforbundet" Oslo October 2008
She's also participating in an exhibition at "Norsk Folkemuseum" at Bygdoy in Oslo this summer 2007.

The exhibition at Norsk Folkemuseum, "Nothing disappears", will show works related to recycling. All exhibitions take place in Norway, so if you plan a travel there in near future you can treat yourself to some visual goodies.

Photo by Renato Langfeldt